Cindy dates on the East Coast with Horsegirl this June
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Seablite sat down with James Broscheid at The Big Takeover for a lengthy deep-dive into their new LP, Lemon Lights, on Mt.St.Mtn.
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While the dream-pop tag is probably still relevant, this isn’t algorithm-fed genre ambience. Gill’s vocal/lyrical presence can be as gently momentous as Leonard Cohen or as intellectually potent as any ’79-’80 Rough Trade post-punk.
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Inspired by the Flying Nun catalog, Prefab Sprout and odd underground pop hits by Chris Spedding and Dwight Twilley, Julian Never deliver their debut LP, Pious Fiction.
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R.E. Seraphin returns with a new E.P. (his best format) for Mt. St Mtn and this time he’s back in the arms of synth-pop, finding solace in the chromatic glimmer of jangle-jolted pop once more.
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"Hey There Flower" carries forward and elaborates on Tony Jay's tradition of songs that express a kind of naked honesty about things we all know -- love and loneliness and all that -- while communicating at the same time a wry edge of skepticism, so that the songs are like coins spinning on edge before landing heads, tails, or lost under the couch.
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Massage’s highly regarded, highly sought after 2018 debut get’s a reissue on Mt.St.Mtn. in 2022. Originally limited to 150 copies on the excellent Australia-based Tear Jerk Records, the reissue will receive wider reach world-wide on a special two-color swirl vinyl. 100 copies on a special color vinyl will be available exclusive through our friends at Monorail Music in Glasgow!
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“We share all these references, but the songs are still distinctly us. We’re not skilled enough to do the karaoke version. Our limitations make it our own.”
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Still Life resurrects a brief, romantic moment in the late-'80s, right after post-punk and immediately before alt-rock, when it seemed like any scrappy indie band might stumble across a hit.
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Austin Town Hall debuts the first video off the upcoming Flowertown LP, due April 23rd.
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Flowertown is indebted to the great works of post-Velvets indie: Galaxie 500’s trilogy, Cannanes A Love Affair with Nature, Low’s I Could Live in Hope, ’90-’93 Yo La Tengo, but thankfully they didn’t forget to write songs and find their own voices and charm inside that sound.
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The band’s warm flicker of dream pop is rather irresistible and it’s easy to see how the album lured listeners into its woolen womb.
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Late-in-the-day album of the year contender? Very possibly. Or possibly it's just that this is the kind of music that appeals to my sensibilities so exactly it feels laser-guided in its execution. Perfect, even.
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